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All models appearing on this site were at least 18 years of age at time of photography.
18 U.S.C. 2257 Record Keeping Requirements Compliance Statement.
Copyright 2010 Princesse Media Ltd. All Rights Reserved.
All models appearing on this site were at least 18 years of age at time of photography.
REVISION
Read the rave reviews
and fabulous comments
made about:
and fabulous comments
made about:
The second in a brand
new series Starring:
Amelia Jane Rutherford,
Charlie Sinclair and
Lava Valkyrie
new series Starring:
Amelia Jane Rutherford,
Charlie Sinclair and
Lava Valkyrie
Game4fun 12-11-2010
http://www.britishspanking.com/forums/showthread.php?t=49463&page=2
Well Miss Brown has knocked me out again!
Her new film 'Revision' has just been released, and its absolutely sensational. I ordered through her website and it arrived this Wednesday within 48 hours of my order .......... and I have watched it 9 times already.
Revision is a superbly shot film with brilliant exchanges between all the stars and sees Miss Brown give a virtuoso performance as only she can. The scenes when she punishes the girls are just so full of tension and gripping atmosphere and the sufferings of the poor miscreants must be seen to be believed.
Thank you for another epic Miss Brown, and congratulations to the stars - Amelia Jane Rutherford, Charlie Sinclair, Lava Valkyrie and your production team.
http://www.britishspanking.com/forums/showthread.php?t=49463&page=2
Well Miss Brown has knocked me out again!
Her new film 'Revision' has just been released, and its absolutely sensational. I ordered through her website and it arrived this Wednesday within 48 hours of my order .......... and I have watched it 9 times already.
Revision is a superbly shot film with brilliant exchanges between all the stars and sees Miss Brown give a virtuoso performance as only she can. The scenes when she punishes the girls are just so full of tension and gripping atmosphere and the sufferings of the poor miscreants must be seen to be believed.
Thank you for another epic Miss Brown, and congratulations to the stars - Amelia Jane Rutherford, Charlie Sinclair, Lava Valkyrie and your production team.
Davy Castle 22-11-2010
http://www.britishspanking.com/forums/showthread.php?t=49463&page=2
I too must add my appreciation of Miss Brown - an absolutely captivating lady. She is so elegant and assured with cane in hand; beautiful, aloof and authoritative: what more could we ask for. The latest video - Revision -features a wonderful caning sequence at the end. 'Janey' is caned in bra, panties, (they do come down of course), stockings/suspenders and heels. With her long legs, pretty bottom - all the prettier with, eventually, 12 red stripes across it -this is a caning aesthete's dream. I can't recommend it enough!
http://www.britishspanking.com/forums/showthread.php?t=49463&page=2
I too must add my appreciation of Miss Brown - an absolutely captivating lady. She is so elegant and assured with cane in hand; beautiful, aloof and authoritative: what more could we ask for. The latest video - Revision -features a wonderful caning sequence at the end. 'Janey' is caned in bra, panties, (they do come down of course), stockings/suspenders and heels. With her long legs, pretty bottom - all the prettier with, eventually, 12 red stripes across it -this is a caning aesthete's dream. I can't recommend it enough!
Stripthewillow 26-11-10
http://www.britishcaningsociety.com/viewtopic.php?f=5&t=448&p=4078#p4078
REVISION
It was an inspired piece of casting having Amelia Jane Rutherford, one of the most respected and finest CP actresses starring in Miss Brown's new movie, alongside two new CP starlets Charlie Sinclair and Lava Valkyrie.
Amelia Jane Rutherford never fails to deliver, and in Revision she produces some classic moments and expressions. Her talents blend perfectly with the innocent charm of a young blonde Inga, and the plotting and scheming housekeeper Miss Jayney.
The plot of the movie is based on the events that unfold at Miss Brown's London residence one Saturday, after she altruistically invites two of her pupils to attend additional study periods there. Miss Brown looks sensational as she starts to supervise Amelia and Inga's revision. I also sensed that she herself was in an extra strict and unforgiving mood having had to give up her own Saturday, which would only lead to one thing.
All seemed to be progressing well until Amelia is dispatched to the bathroom and ordered to clean herself up after a typically clumsy incident with her fountain pen. In no time at all she finds herself in a compromising situation with the fabulous Miss Jayney, utterly morally corrupt but a shining beacon to us all!
The outcome of this tryst has disastrous ramifications for the hapless Amelia, and when Inga is sent out of the room so that Miss Brown can administer the punishment privately, Miss Jayney pounces once again. With the lure of glamour and decadence proving a heady inducement the innocent and quintessentially Swedish Inga is swept up in the moment, and left to face the dreadful consequences.
There are some fabulous moments in the movie. The demure and somewhat dishevelled and by now, not so innocent Inga standing in front of Miss Brown trying to explain herself is just but one of them. We know what the end result is going to be but it is simply such joy participating in the journey!
Does the Machiavellian Miss Jayney escape the wrath of Miss Brown? Are her seductive ways an inducement to buy the silence of the girls? All will become apparent in the 60 blistering minutes off anticipation and pleasure that this movie delivers.
I will just say this. The canings delivered by Miss Brown in this movie show her at her flawless and consummate best and the girls certainly feel them, as you witness the blazing welts illuminate their perfectly, and for some, never before caned bottoms! This movie is more than just a riveting and exemplary CP movie of a female disciplinarian. It is a dynamic demonstration of the natural talent with which Miss Brown is possessed. She is not an actress, just a very rare breed of woman who naturally exudes control and discipline which she enforces with incomparable and unparalleled corporal punishment as and when required.
Yet as always, she remains in total control while meting out the well deserved and severe thrashings which really must be seen by all CP lovers.
This is another absolute classic CP movie from the supreme doyenne of discipline and corporal punishment.
Thank you Miss Brown, the stars of the film and your production team.
http://www.britishcaningsociety.com/viewtopic.php?f=5&t=448&p=4078#p4078
REVISION
It was an inspired piece of casting having Amelia Jane Rutherford, one of the most respected and finest CP actresses starring in Miss Brown's new movie, alongside two new CP starlets Charlie Sinclair and Lava Valkyrie.
Amelia Jane Rutherford never fails to deliver, and in Revision she produces some classic moments and expressions. Her talents blend perfectly with the innocent charm of a young blonde Inga, and the plotting and scheming housekeeper Miss Jayney.
The plot of the movie is based on the events that unfold at Miss Brown's London residence one Saturday, after she altruistically invites two of her pupils to attend additional study periods there. Miss Brown looks sensational as she starts to supervise Amelia and Inga's revision. I also sensed that she herself was in an extra strict and unforgiving mood having had to give up her own Saturday, which would only lead to one thing.
All seemed to be progressing well until Amelia is dispatched to the bathroom and ordered to clean herself up after a typically clumsy incident with her fountain pen. In no time at all she finds herself in a compromising situation with the fabulous Miss Jayney, utterly morally corrupt but a shining beacon to us all!
The outcome of this tryst has disastrous ramifications for the hapless Amelia, and when Inga is sent out of the room so that Miss Brown can administer the punishment privately, Miss Jayney pounces once again. With the lure of glamour and decadence proving a heady inducement the innocent and quintessentially Swedish Inga is swept up in the moment, and left to face the dreadful consequences.
There are some fabulous moments in the movie. The demure and somewhat dishevelled and by now, not so innocent Inga standing in front of Miss Brown trying to explain herself is just but one of them. We know what the end result is going to be but it is simply such joy participating in the journey!
Does the Machiavellian Miss Jayney escape the wrath of Miss Brown? Are her seductive ways an inducement to buy the silence of the girls? All will become apparent in the 60 blistering minutes off anticipation and pleasure that this movie delivers.
I will just say this. The canings delivered by Miss Brown in this movie show her at her flawless and consummate best and the girls certainly feel them, as you witness the blazing welts illuminate their perfectly, and for some, never before caned bottoms! This movie is more than just a riveting and exemplary CP movie of a female disciplinarian. It is a dynamic demonstration of the natural talent with which Miss Brown is possessed. She is not an actress, just a very rare breed of woman who naturally exudes control and discipline which she enforces with incomparable and unparalleled corporal punishment as and when required.
Yet as always, she remains in total control while meting out the well deserved and severe thrashings which really must be seen by all CP lovers.
This is another absolute classic CP movie from the supreme doyenne of discipline and corporal punishment.
Thank you Miss Brown, the stars of the film and your production team.
TheEnglishMaster Dec 2010
http://www.britishspanking.com/forums/forumdisplay.php?f=8
'Revision' (UK 2010) Princesse Media 60 mins
Starring Miss Brown, Amelia Jane Rutherford, Charlie Sinclair, Lava Valkyrie
'Revision' is the second in the new series of high-value productions featuring Miss Brown and filmed by Gary Scott. It is a fitting sequel to the superb 'Detention'. Once again, Miss Brown plays a Headmistress, on this occasion hosting a Saturday revision session for two recalcitrant girls who've missed several at school.
The film opens with the two blonde girls, Amelia (Amelia Jane Rutherford) and Inga (Lava Valkyrie), asleep in a double bed. Woken by the alarm, intriguing references follow as to what they might have been up to the night before! They stretch and slowly dress (allowing the camera to luxuriate over their fine, girlish figures as they climb into fresh white knickers) and bemoan the fact that they have to attend the revision at Miss Brown's house (it seems they'd been shopping when they should have been revising). Amelia makes an interesting remark, more a prescient warning than an allusion to the film's genre: 'Today's going to be like being in a horror movie'. Haunting piano music accompanies them here, as it does throughout the film. Amelia warns Inga about Miss Brown: 'Everyone knows she's horrible' and 'She's extra mean at her house ... no other teachers watching.' But her prescience fails her when she says, 'She's not going to see my knickers'.
Suitably prepared, we cut to Miss Brown's living-room, furnished in tasteful modern style, with large sofa and a low wooden coffee table, at which the two girls are made to sit and do their work. Attired in blue pinafores and striped ties, with white blouses and socks, they look every inch the part, Inga's pig tails and Amelia's innocent big brown eyes enhancing the fiction.
When Amelia manages to get ink from her fountain pen all over her fingers ('DON'T put your hands on my carpet!' barks Miss Brown) she is peremptorily dismissed to the bathroom to wash. Miss Brown's housekeeper, Miss Jayney (Charlie Sinclair), a wickedly seductive lesbian nymphomaniac, tries to seduce Amelia who reacts with wonderfully wide-eyed and awkward embarrassment to her advances. She manages to escape, but not before Jayney has planted a lipstick kiss on the collar of her blouse. This, of course, is quickly spotted by the vigilant Miss Brown. Inga is sent out and Amelia ordered to strip down to vest and knickers. Miss Brown's 'You know I'm going to spank your bottom, don't you?' is met with a frightened squeak and over the knee she goes for a thorough four-minute seeing-to from Miss Brown's redoubtable hand, to which she responds with suitably anguished cries.
Emphasising her dissatisfaction at Amelia's behaviour with her customary verbal acidity ('Right, young lady, and I use that term loosely ...') Miss Brown then commands her to kneel on the sofa. A twelve-stroke bare-bottom strapping follows which tests Amelia to the limit: she squeals and cries, stretches and squirms, whilst the imperviously stern Miss Brown stands alert, strap stretched between her hands, measured thwack following measured thwack.
Ordered back to her seat at the table ('Without any clothes?' pipes Amelia indignantly!) the story moves outside into the hallway where the insatiable Miss Jayney is having considerably greater success getting into the pants (literally) of young Inga. They fondle and play, gradually undressing, Inga worrying about Miss Brown but clearly enjoying the attention. Eventually, Inga is sucking Jayne's nipples and rubbing her between her legs and asking when they can meet again, but Jayney is elusive, tells her to dress and walks off with her knickers. With Miss Brown now calling her, Inga's attempt to re-dress herself results in a comical mess which Miss Brown is quick to pounce on. 'What on earth has happened to you?' she demands in a chillingly quiet voice. Inga can't answer. 'Do you realise how much trouble you're in?' she asks, to which the ill-advisedly cocky response is, 'Probably not!'
The first stroke of the cane leaves a vivid red stripe across the now naked Inga's round buttocks (Lava Valkyrie having never been caned before) and in her struggle to bear the stinging pain she forgets completely to count it or say 'Thank you', as instructed. The caning that follows is breath-taking, Inga bearing it bravely, but clearly feeling every stroke as her bottom accumulates puffy red welts and overlapping tramlines. The camera catches her facial expressions close up for the last three of the twelve as she breathes heavily to endure the pain.
With Inga dismissed, Amelia is next. The threat of the cane lingering over her rear elicits the confession that it was Jayney who had planted the lipstick kiss on her collar. Jayney is summoned and made to watch as Amelia gets her twelve, which she too finds intensely punishing. Jayney is seen smirking as Amelia receives her last three with increasingly agonised moans.
That smirk is soon dispatched when Jayney herself is bent over and feels her first stroke. At every stripe she cries out and rises, clutching her buttocks, squeezing and rubbing as the gathering mass of parallel lines adorn her pert cheeks. After the ninth she turns right round and sits down for a moment so intolerable is the pain. It is another intensely real caning. Eventually, the camera lingers on Jayney's ravaged bottom as she leaves the room. The film ends, echoing its predecessor 'Detention', with a close-up of Miss Brown, gazing out of the window, cane in hand, her painful duty done.
Once again, music is skilfully used throughout the film, with a muted jazz trumpet accompanying each of Jayney's appearances, melancholy piano with eerie electronics the two schoolgirls'. The camerawork, too, matches the high standards of 'Detention' with well-timed use of close-ups (including the girls' faces, vaginas and bottoms) and an imaginative variety of angles on the action at different stages.
Miss Brown's performance shimmers with quiet implacability, her very stillness making all around her quiver with nervous anticipation. Her scenes with Amelia Jane Rutherford are exquisitely enacted, with the latter's naivety and genuinely aggrieved puzzlement at the events that overtake her giving her character an endearing believability. Lava Valkyrie has an almost-smile playing around her mouth much of the time, which makes the harsh realism of her painful caning all the more effective. She plays her scene with Jayney with a coquettish charm which sets off Charlie Sinclair's self-absorbed sensuality very well.
This is another highly satisfying film from a company (Princesse Media) that looks set to provide us with more episodes of this memorable series in the months to come. Let us end, as the script itself does, with Miss Brown's parting words: 'Let that be a lesson to you, Amelia,' she pronounces, adding ominously, 'and to all of you.'
TheEnglishMaster
Dec 2010
http://www.britishspanking.com/forums/forumdisplay.php?f=8
'Revision' (UK 2010) Princesse Media 60 mins
Starring Miss Brown, Amelia Jane Rutherford, Charlie Sinclair, Lava Valkyrie
'Revision' is the second in the new series of high-value productions featuring Miss Brown and filmed by Gary Scott. It is a fitting sequel to the superb 'Detention'. Once again, Miss Brown plays a Headmistress, on this occasion hosting a Saturday revision session for two recalcitrant girls who've missed several at school.
The film opens with the two blonde girls, Amelia (Amelia Jane Rutherford) and Inga (Lava Valkyrie), asleep in a double bed. Woken by the alarm, intriguing references follow as to what they might have been up to the night before! They stretch and slowly dress (allowing the camera to luxuriate over their fine, girlish figures as they climb into fresh white knickers) and bemoan the fact that they have to attend the revision at Miss Brown's house (it seems they'd been shopping when they should have been revising). Amelia makes an interesting remark, more a prescient warning than an allusion to the film's genre: 'Today's going to be like being in a horror movie'. Haunting piano music accompanies them here, as it does throughout the film. Amelia warns Inga about Miss Brown: 'Everyone knows she's horrible' and 'She's extra mean at her house ... no other teachers watching.' But her prescience fails her when she says, 'She's not going to see my knickers'.
Suitably prepared, we cut to Miss Brown's living-room, furnished in tasteful modern style, with large sofa and a low wooden coffee table, at which the two girls are made to sit and do their work. Attired in blue pinafores and striped ties, with white blouses and socks, they look every inch the part, Inga's pig tails and Amelia's innocent big brown eyes enhancing the fiction.
When Amelia manages to get ink from her fountain pen all over her fingers ('DON'T put your hands on my carpet!' barks Miss Brown) she is peremptorily dismissed to the bathroom to wash. Miss Brown's housekeeper, Miss Jayney (Charlie Sinclair), a wickedly seductive lesbian nymphomaniac, tries to seduce Amelia who reacts with wonderfully wide-eyed and awkward embarrassment to her advances. She manages to escape, but not before Jayney has planted a lipstick kiss on the collar of her blouse. This, of course, is quickly spotted by the vigilant Miss Brown. Inga is sent out and Amelia ordered to strip down to vest and knickers. Miss Brown's 'You know I'm going to spank your bottom, don't you?' is met with a frightened squeak and over the knee she goes for a thorough four-minute seeing-to from Miss Brown's redoubtable hand, to which she responds with suitably anguished cries.
Emphasising her dissatisfaction at Amelia's behaviour with her customary verbal acidity ('Right, young lady, and I use that term loosely ...') Miss Brown then commands her to kneel on the sofa. A twelve-stroke bare-bottom strapping follows which tests Amelia to the limit: she squeals and cries, stretches and squirms, whilst the imperviously stern Miss Brown stands alert, strap stretched between her hands, measured thwack following measured thwack.
Ordered back to her seat at the table ('Without any clothes?' pipes Amelia indignantly!) the story moves outside into the hallway where the insatiable Miss Jayney is having considerably greater success getting into the pants (literally) of young Inga. They fondle and play, gradually undressing, Inga worrying about Miss Brown but clearly enjoying the attention. Eventually, Inga is sucking Jayne's nipples and rubbing her between her legs and asking when they can meet again, but Jayney is elusive, tells her to dress and walks off with her knickers. With Miss Brown now calling her, Inga's attempt to re-dress herself results in a comical mess which Miss Brown is quick to pounce on. 'What on earth has happened to you?' she demands in a chillingly quiet voice. Inga can't answer. 'Do you realise how much trouble you're in?' she asks, to which the ill-advisedly cocky response is, 'Probably not!'
The first stroke of the cane leaves a vivid red stripe across the now naked Inga's round buttocks (Lava Valkyrie having never been caned before) and in her struggle to bear the stinging pain she forgets completely to count it or say 'Thank you', as instructed. The caning that follows is breath-taking, Inga bearing it bravely, but clearly feeling every stroke as her bottom accumulates puffy red welts and overlapping tramlines. The camera catches her facial expressions close up for the last three of the twelve as she breathes heavily to endure the pain.
With Inga dismissed, Amelia is next. The threat of the cane lingering over her rear elicits the confession that it was Jayney who had planted the lipstick kiss on her collar. Jayney is summoned and made to watch as Amelia gets her twelve, which she too finds intensely punishing. Jayney is seen smirking as Amelia receives her last three with increasingly agonised moans.
That smirk is soon dispatched when Jayney herself is bent over and feels her first stroke. At every stripe she cries out and rises, clutching her buttocks, squeezing and rubbing as the gathering mass of parallel lines adorn her pert cheeks. After the ninth she turns right round and sits down for a moment so intolerable is the pain. It is another intensely real caning. Eventually, the camera lingers on Jayney's ravaged bottom as she leaves the room. The film ends, echoing its predecessor 'Detention', with a close-up of Miss Brown, gazing out of the window, cane in hand, her painful duty done.
Once again, music is skilfully used throughout the film, with a muted jazz trumpet accompanying each of Jayney's appearances, melancholy piano with eerie electronics the two schoolgirls'. The camerawork, too, matches the high standards of 'Detention' with well-timed use of close-ups (including the girls' faces, vaginas and bottoms) and an imaginative variety of angles on the action at different stages.
Miss Brown's performance shimmers with quiet implacability, her very stillness making all around her quiver with nervous anticipation. Her scenes with Amelia Jane Rutherford are exquisitely enacted, with the latter's naivety and genuinely aggrieved puzzlement at the events that overtake her giving her character an endearing believability. Lava Valkyrie has an almost-smile playing around her mouth much of the time, which makes the harsh realism of her painful caning all the more effective. She plays her scene with Jayney with a coquettish charm which sets off Charlie Sinclair's self-absorbed sensuality very well.
This is another highly satisfying film from a company (Princesse Media) that looks set to provide us with more episodes of this memorable series in the months to come. Let us end, as the script itself does, with Miss Brown's parting words: 'Let that be a lesson to you, Amelia,' she pronounces, adding ominously, 'and to all of you.'
TheEnglishMaster
Dec 2010
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TheEnglishMaster Dec 2010
ITC http://www.itc-mag.co.uk/store/messageBoards.php?act=viewThread&id=3371
'Revision' (UK 2010) Princesse Media: 60 mins
starring Miss Brown, Amelia Jane Rutherford, Charlie Sinclair, Lava Valkyrie
'Revision' is the second in the new series of high-value productions featuring Miss Brown and filmed by Gary Scott. It is a fitting sequel to the superb 'Detention'. Once again, Miss Brown plays a Headmistress, on this occasion hosting a Saturday revision session for two recalcitrant girls who've missed several at school.
The film opens with the two blonde girls, Amelia (Amelia Jane Rutherford) and Inga (Lava Valkyrie), asleep in a double bed. Woken by the alarm, intriguing references follow as to what they might have been up to the night before! They stretch and slowly dress (allowing the camera to luxuriate over their fine, girlish figures as they climb into fresh white knickers) and bemoan the fact that they have to attend the revision at Miss Brown's house (it seems they'd been shopping when they should have been revising). Amelia makes an interesting remark, more a prescient warning than an allusion to the film's genre: 'Today's going to be like being in a horror movie'. Haunting piano music accompanies them here, as it does throughout the film. Amelia warns Inga about Miss Brown: 'Everyone knows she's horrible' and 'She's extra mean at her house ... no other teachers watching.' But her prescience fails her when she says, 'She's not going to see my knickers'.
Suitably prepared, we cut to Miss Brown's living-room, furnished in tasteful modern style, with large sofa and a low wooden coffee table, at which the two girls are made to sit and do their work. Attired in blue pinafores and striped ties, with white blouses and socks, they look every inch the part, Inga's pig tails and Amelia's innocent big brown eyes enhancing the fiction.
When Amelia manages to get ink from her fountain pen all over her fingers ('DON'T put your hands on my carpet!' barks Miss Brown) she is peremptorily dismissed to the bathroom to wash. Miss Brown's housekeeper, Miss Jayney (Charlie Sinclair), a wickedly seductive lesbian nymphomaniac, tries to seduce Amelia who reacts with wonderfully wide-eyed and awkward embarrassment to her advances. She manages to escape, but not before Jayney has planted a lipstick kiss on the collar of her blouse. This, of course, is quickly spotted by the vigilant Miss Brown. Inga is sent out and Amelia ordered to strip down to vest and knickers. Miss Brown's 'You know I'm going to spank your bottom, don't you?' is met with a frightened squeak and over the knee she goes for a thorough four-minute seeing-to from Miss Brown's redoubtable hand, to which she responds with suitably anguished cries.
Emphasising her dissatisfaction at Amelia's behaviour with her customary verbal acidity ('Right, young lady, and I use that term loosely ...') Miss Brown then commands her to kneel on the sofa. A twelve-stroke bare-bottom strapping follows which tests Amelia to the limit: she squeals and cries, stretches and squirms, whilst the imperviously stern Miss Brown stands alert, strap stretched between her hands, measured thwack following measured thwack.
Ordered back to her seat at the table ('Without any clothes?' pipes Amelia indignantly!) the story moves outside into the hallway where the insatiable Miss Jayney is having considerably greater success getting into the pants (literally) of young Inga. They fondle and play, gradually undressing, Inga worrying about Miss Brown but clearly enjoying the attention. Eventually, Inga is sucking Jayne's nipples and rubbing her between her legs and asking when they can meet again, but Jayney is elusive, tells her to dress and walks off with her knickers. With Miss Brown now calling her, Inga's attempt to re-dress herself results in a comical mess which Miss Brown is quick to pounce on. 'What on earth has happened to you?' she demands in a chillingly quiet voice. Inga can't answer. 'Do you realise how much trouble you're in?' she asks, to which the ill-advisedly cocky response is, 'Probably not!'
The first stroke of the cane leaves a vivid red stripe across the now naked Inga's round buttocks (Lava Valkyrie having never been caned before) and in her struggle to bear the stinging pain she forgets completely to count it or say 'Thank you', as instructed. The caning that follows is breath-taking, Inga bearing it bravely, but clearly feeling every stroke as her bottom accumulates puffy red welts and overlapping tramlines. The camera catches her facial expressions close up for the last three of the twelve as she breathes heavily to endure the pain.
With Inga dismissed, Amelia is next. The threat of the cane lingering over her rear elicits the confession that it was Jayney who had planted the lipstick kiss on her collar. Jayney is summoned and made to watch as Amelia gets her twelve, which she too finds intensely punishing. Jayney is seen smirking as Amelia receives her last three with increasingly agonised moans.
That smirk is soon dispatched when Jayney herself is bent over and feels her first stroke. At every stripe she cries out and rises, clutching her buttocks, squeezing and rubbing as the gathering mass of parallel lines adorn her pert cheeks. After the ninth she turns right round and sits down for a moment so intolerable is the pain. It is another intensely real caning. Eventually, the camera lingers on Jayney's ravaged bottom as she leaves the room. The film ends, echoing its predecessor 'Detention', with a close-up of Miss Brown, gazing out of the window, cane in hand, her painful duty done.
Once again, music is skilfully used throughout the film, with a muted jazz trumpet accompanying each of Jayney's appearances, melancholy piano with eerie electronics the two schoolgirls'. The camerawork, too, matches the high standards of 'Detention' with well-timed use of close-ups (including the girls' faces, vaginas and bottoms) and an imaginative variety of angles on the action at different stages.
Miss Brown's performance shimmers with quiet implacability, her very stillness making all around her quiver with nervous anticipation. Her scenes with Amelia Jane Rutherford are exquisitely enacted, with the latter's naivety and genuinely aggrieved puzzlement at the events that overtake her giving her character an endearing believability. Lava Valkyrie has an almost-smile playing around her mouth much of the time, which makes the harsh realism of her painful caning all the more effective. She plays her scene with Jayney with a coquettish charm which sets off Charlie Sinclair's self-absorbed sensuality very well.
This is another highly satisfying film from a company (Princesse Media) that looks set to provide us with more episodes of this memorable series in the months to come. Let us end, as the script itself does, with Miss Brown's parting words: 'Let that be a lesson to you, Amelia,' she pronounces, adding ominously, 'and to all of you.'
ITC http://www.itc-mag.co.uk/store/messageBoards.php?act=viewThread&id=3371
'Revision' (UK 2010) Princesse Media: 60 mins
starring Miss Brown, Amelia Jane Rutherford, Charlie Sinclair, Lava Valkyrie
'Revision' is the second in the new series of high-value productions featuring Miss Brown and filmed by Gary Scott. It is a fitting sequel to the superb 'Detention'. Once again, Miss Brown plays a Headmistress, on this occasion hosting a Saturday revision session for two recalcitrant girls who've missed several at school.
The film opens with the two blonde girls, Amelia (Amelia Jane Rutherford) and Inga (Lava Valkyrie), asleep in a double bed. Woken by the alarm, intriguing references follow as to what they might have been up to the night before! They stretch and slowly dress (allowing the camera to luxuriate over their fine, girlish figures as they climb into fresh white knickers) and bemoan the fact that they have to attend the revision at Miss Brown's house (it seems they'd been shopping when they should have been revising). Amelia makes an interesting remark, more a prescient warning than an allusion to the film's genre: 'Today's going to be like being in a horror movie'. Haunting piano music accompanies them here, as it does throughout the film. Amelia warns Inga about Miss Brown: 'Everyone knows she's horrible' and 'She's extra mean at her house ... no other teachers watching.' But her prescience fails her when she says, 'She's not going to see my knickers'.
Suitably prepared, we cut to Miss Brown's living-room, furnished in tasteful modern style, with large sofa and a low wooden coffee table, at which the two girls are made to sit and do their work. Attired in blue pinafores and striped ties, with white blouses and socks, they look every inch the part, Inga's pig tails and Amelia's innocent big brown eyes enhancing the fiction.
When Amelia manages to get ink from her fountain pen all over her fingers ('DON'T put your hands on my carpet!' barks Miss Brown) she is peremptorily dismissed to the bathroom to wash. Miss Brown's housekeeper, Miss Jayney (Charlie Sinclair), a wickedly seductive lesbian nymphomaniac, tries to seduce Amelia who reacts with wonderfully wide-eyed and awkward embarrassment to her advances. She manages to escape, but not before Jayney has planted a lipstick kiss on the collar of her blouse. This, of course, is quickly spotted by the vigilant Miss Brown. Inga is sent out and Amelia ordered to strip down to vest and knickers. Miss Brown's 'You know I'm going to spank your bottom, don't you?' is met with a frightened squeak and over the knee she goes for a thorough four-minute seeing-to from Miss Brown's redoubtable hand, to which she responds with suitably anguished cries.
Emphasising her dissatisfaction at Amelia's behaviour with her customary verbal acidity ('Right, young lady, and I use that term loosely ...') Miss Brown then commands her to kneel on the sofa. A twelve-stroke bare-bottom strapping follows which tests Amelia to the limit: she squeals and cries, stretches and squirms, whilst the imperviously stern Miss Brown stands alert, strap stretched between her hands, measured thwack following measured thwack.
Ordered back to her seat at the table ('Without any clothes?' pipes Amelia indignantly!) the story moves outside into the hallway where the insatiable Miss Jayney is having considerably greater success getting into the pants (literally) of young Inga. They fondle and play, gradually undressing, Inga worrying about Miss Brown but clearly enjoying the attention. Eventually, Inga is sucking Jayne's nipples and rubbing her between her legs and asking when they can meet again, but Jayney is elusive, tells her to dress and walks off with her knickers. With Miss Brown now calling her, Inga's attempt to re-dress herself results in a comical mess which Miss Brown is quick to pounce on. 'What on earth has happened to you?' she demands in a chillingly quiet voice. Inga can't answer. 'Do you realise how much trouble you're in?' she asks, to which the ill-advisedly cocky response is, 'Probably not!'
The first stroke of the cane leaves a vivid red stripe across the now naked Inga's round buttocks (Lava Valkyrie having never been caned before) and in her struggle to bear the stinging pain she forgets completely to count it or say 'Thank you', as instructed. The caning that follows is breath-taking, Inga bearing it bravely, but clearly feeling every stroke as her bottom accumulates puffy red welts and overlapping tramlines. The camera catches her facial expressions close up for the last three of the twelve as she breathes heavily to endure the pain.
With Inga dismissed, Amelia is next. The threat of the cane lingering over her rear elicits the confession that it was Jayney who had planted the lipstick kiss on her collar. Jayney is summoned and made to watch as Amelia gets her twelve, which she too finds intensely punishing. Jayney is seen smirking as Amelia receives her last three with increasingly agonised moans.
That smirk is soon dispatched when Jayney herself is bent over and feels her first stroke. At every stripe she cries out and rises, clutching her buttocks, squeezing and rubbing as the gathering mass of parallel lines adorn her pert cheeks. After the ninth she turns right round and sits down for a moment so intolerable is the pain. It is another intensely real caning. Eventually, the camera lingers on Jayney's ravaged bottom as she leaves the room. The film ends, echoing its predecessor 'Detention', with a close-up of Miss Brown, gazing out of the window, cane in hand, her painful duty done.
Once again, music is skilfully used throughout the film, with a muted jazz trumpet accompanying each of Jayney's appearances, melancholy piano with eerie electronics the two schoolgirls'. The camerawork, too, matches the high standards of 'Detention' with well-timed use of close-ups (including the girls' faces, vaginas and bottoms) and an imaginative variety of angles on the action at different stages.
Miss Brown's performance shimmers with quiet implacability, her very stillness making all around her quiver with nervous anticipation. Her scenes with Amelia Jane Rutherford are exquisitely enacted, with the latter's naivety and genuinely aggrieved puzzlement at the events that overtake her giving her character an endearing believability. Lava Valkyrie has an almost-smile playing around her mouth much of the time, which makes the harsh realism of her painful caning all the more effective. She plays her scene with Jayney with a coquettish charm which sets off Charlie Sinclair's self-absorbed sensuality very well.
This is another highly satisfying film from a company (Princesse Media) that looks set to provide us with more episodes of this memorable series in the months to come. Let us end, as the script itself does, with Miss Brown's parting words: 'Let that be a lesson to you, Amelia,' she pronounces, adding ominously, 'and to all of you.'
Skin Two
http://www.skintwo.co.uk/revision-dvd-from-strictly-miss-brown/
Revision, DVD from Strictly Miss Brown
March 15, 2011 by webslave
We open on two intelligent blonde beauties. In bed. Woof. Sorry, we start with a pair of pulchritudinous beauties, both blonde. They giggle. They chat. They undress. Are you listening Mike Leigh? You bearded bore? This is how to start a film. Let's have something a bit more life affirming, eh? Ahem…Erik Satie. Dark classical chill from the inventor of ambient. A suitably classy choice to accompany another divine discipline DVD. Amelia (Amelia Jane Rutherford), is a delight, very squirmy in her final caning and most charming waking up with Lava, (Inga Valkyrie), a Swedish Goddess. "These make my bottom so big! I hate it!" opines Amelia, stepping into some white panties, nothing at all like Bridget Jones passion killers. Inga disagrees. So do we. As the morning ritual unfolds, we may meditate on thongs versus knickers or watch the girls bending and stretching as they dress in their adult school girl uniforms.
Miss Jayney (Charlie Sinclair), is the tall, dark housekeeper. Miss Brown is in a Leopard Skin print blouse, her formidable embonpoint tamed by a black bra.
For new readers, the women are beautiful and styled to the max, cute little touches like coloured hair ribbons, fine lingerie, all present and correct, standard issue for a Princesse Media production.
"She's extra mean at her house. She can be because there's no teachers watching."
Supervised revision. On a Saturday. Ooo-er. The beautiful minxes are right to be afraid.
Excellent mobile camera work throughout. Acting flawless so no 'wish they hadn't said or done that' moments so familiar from lesser productions. It doesn't take long for Miss Brown to find fault with the girls and we are soon where we need to be, staring at flawless bare bottoms and clefts, watching as the Mistress of Mean dishes out three long, slow corrections.
Twelve for the Housekeeper was the climax, although I'd had several by now, ("Oi! Ramsden! Too much Information!") well, I did stretch out the viewing over several days. Missus Lovett and I had an assisted shag twice to the canings, a virtual fivesome, if you will. So, you don't have to gulp it down in one, if I may say so, Like a fine brandy, one doesn't neck the whole bottle in one go. Although, as the Housekeeper leaps up and grabs her withered cheeks with every stroke one might also say,"Cheers! Mine's a double." Her sincere, "please Miss Brown, no more!" ticks all the right boxes. Woo hoo. I should say so.
Any bad girl who may have, er, inadvertently transgressed, through youthful inexperience, should however report to Miss Brown, whose world renowned left hand could give her a jolly, good spanking, a taste of the tawse and twelve stingy cane strokes. In between each, we must hear the traditional count and "Thank you, Miss Brown." Yes indeed, thank You! Miss Brown and everyone else involved in another peachy production. If you haven't seen Revision, check it out at www.StrictlyMissBrown.com
by Mark Ramsden
markramsden.moonfruit.com
http://www.skintwo.co.uk/revision-dvd-from-strictly-miss-brown/
Revision, DVD from Strictly Miss Brown
March 15, 2011 by webslave
We open on two intelligent blonde beauties. In bed. Woof. Sorry, we start with a pair of pulchritudinous beauties, both blonde. They giggle. They chat. They undress. Are you listening Mike Leigh? You bearded bore? This is how to start a film. Let's have something a bit more life affirming, eh? Ahem…Erik Satie. Dark classical chill from the inventor of ambient. A suitably classy choice to accompany another divine discipline DVD. Amelia (Amelia Jane Rutherford), is a delight, very squirmy in her final caning and most charming waking up with Lava, (Inga Valkyrie), a Swedish Goddess. "These make my bottom so big! I hate it!" opines Amelia, stepping into some white panties, nothing at all like Bridget Jones passion killers. Inga disagrees. So do we. As the morning ritual unfolds, we may meditate on thongs versus knickers or watch the girls bending and stretching as they dress in their adult school girl uniforms.
Miss Jayney (Charlie Sinclair), is the tall, dark housekeeper. Miss Brown is in a Leopard Skin print blouse, her formidable embonpoint tamed by a black bra.
For new readers, the women are beautiful and styled to the max, cute little touches like coloured hair ribbons, fine lingerie, all present and correct, standard issue for a Princesse Media production.
"She's extra mean at her house. She can be because there's no teachers watching."
Supervised revision. On a Saturday. Ooo-er. The beautiful minxes are right to be afraid.
Excellent mobile camera work throughout. Acting flawless so no 'wish they hadn't said or done that' moments so familiar from lesser productions. It doesn't take long for Miss Brown to find fault with the girls and we are soon where we need to be, staring at flawless bare bottoms and clefts, watching as the Mistress of Mean dishes out three long, slow corrections.
Twelve for the Housekeeper was the climax, although I'd had several by now, ("Oi! Ramsden! Too much Information!") well, I did stretch out the viewing over several days. Missus Lovett and I had an assisted shag twice to the canings, a virtual fivesome, if you will. So, you don't have to gulp it down in one, if I may say so, Like a fine brandy, one doesn't neck the whole bottle in one go. Although, as the Housekeeper leaps up and grabs her withered cheeks with every stroke one might also say,"Cheers! Mine's a double." Her sincere, "please Miss Brown, no more!" ticks all the right boxes. Woo hoo. I should say so.
Any bad girl who may have, er, inadvertently transgressed, through youthful inexperience, should however report to Miss Brown, whose world renowned left hand could give her a jolly, good spanking, a taste of the tawse and twelve stingy cane strokes. In between each, we must hear the traditional count and "Thank you, Miss Brown." Yes indeed, thank You! Miss Brown and everyone else involved in another peachy production. If you haven't seen Revision, check it out at www.StrictlyMissBrown.com
by Mark Ramsden
markramsden.moonfruit.com